Zame verjetno najboljši mjuzikl kar jih je. Vedno, ko poslušam to mojstrovino Andrew Lloyd Webbera dobim kurjo kožo. Pa to pri mni ne zgleda glih lepo. No pač šalo na stran. Tudi zgodba sama je takšna, da ti da mislit malo o tem, kakšen bi naj bil naš odnos do nošenja mask. Ne samo fizično, ampak tudi maske, za katerimi skrivamo svoj pravi JAZ. Saj je včasih kar najlažje biti nekaj kar nisi, kot pa pokazati in se razgaliti pred ljudmi, ki te lahko prizadanejo in ranijo. A konc koncev bi morali priti do spoznanja, da smo le takšni kot smo najlepši in če nas ljudje ne sprejmejo takšnih kot smo, so si pač sami krivi. Pa še mali opis sam bo v angleščini, ker se mi niti približno ne da prevajat.
The Phantom of the Opera is a musical with a book by Andrew Lloyd Webber and Richard Stilgoe, lyrics by Charles Hart, and music by Lloyd Webber.
Based on the novel The Phantom of the Opera by Gaston Leroux, it focuses on a beautiful singer Christine Daaé as she is seduced by a mysterious disfigured musical genius known as "The Phantom of the Opera". The Phantom lives beneath the Paris Opera and terrorizes those who work there, demanding Christine be the star of the theatre's productions. When the young singer rebuffs the Phantom's advances and her lover Raoul intervenes, the Phantom sets no limits in his quest for revenge and Christine's love.
The Phantom of the Opera was inspired by a different musical version of the same story by Ken Hill, which Lloyd Webber saw at the Theatre Royal Stratford East in 1984. The music for Lloyd Webber's version was composed specifically for the voice of his then-wife Sarah Brightman.
No comments:
Post a Comment